Get to Know: Emma Watson (insp)
i dont need a valentine i need 8 million dollars and a fast metabolism
A possum broke into an Australian bakery and ate so many pastries it couldn’t move. This is how they found him.
I live for this post
"Do what you must, for I have already won."
I read this out loud to boyfriend and he just went “ohhhhhhhhh”
CEOs all runnin around terrified of blue shells from the homeless
Your mission, should you choose to accept it, is to enroll in a Classics course and deliberately and consistently mispronounce “Penelope” as “Peen-a-loap.”
Every time he does this she gets curious but also scared.
#Don’t Trust Hawkguy: he steals the falcon’s wings and hides it in his personal nest all the time
its a good thing nat notices
He has Monsters inc. on his shirt.
She has Nemo on her dress.
Violet has murder in her eyes.
Taylor Swift on some peoples views on her songwriting (x)
On my tombstone, Stevie Wilson a vain neurotic artist. Be confident ladies, and be kind to each other
shout out to people who are scared to call others out, whose hands shake when they try to explain what’s wrong, whose throats threaten to close up with thoughts of ‘what if i’m just overreacting’, whose hearts are pounding out of their chests because they just stuck their necks out for their beliefs, who have lost friends and respect and safety for aligning themselves with causes
Dear past self,
When u cut off ur hair mom wont be that mad and you dont have to run away.
Ben (that’s you)
There’s something in this day and age where CG imagery has gotten to such a level that I don’t think films can get any bigger or louder for spectacle any more. It’s just gotten to a point where it’s so well done and as audience we all kind of feel like we’ve seen it before at this point. Yet, here is stop-motion still existing out there and we’re still making films that way, but suddenly it’s becoming a very unique and different feel. I don’t think audiences necessarily know why, but they can feel it when they watch our films that it’s different and it’s offering a new perspective.
We talk to the directors of The Boxtrolls about their most complex scene, being inspired by David Lean, Jean-Pierre Jeunet, and more.